Neck-gables (±1640-±1775)
17th Century
The style we call Dutch Classicism represents a very important phase in
the history of Dutch architecture. However, when architects set out to
build single canal house facades in this style, they had to face up to a
challenge. The cornice, a popular type of top gable for double houses,
was not a viable option in the case of the narrow single houses.
Remember that the steep saddle roofs were placed at right angles to the
facades so that the triangular front was visible from the street, unless
it was hidden from view. A classical cornice was not high enough to
disguise the ridge of the roof. Consequently a taller type of gable top
was required. The neck- gable, common between approximately 1640 and
1775, was a typically Amsterdam answer to the problem sketched above. In
actual fact the neck-gable is a logical development of the stepped
gable. All the steps were eliminated except the large one at the top
(note that raised neck-gables have one extra step). The oldest known
neck-gables are 10-12 Koestraat, rented houses built in 1611. But these
are exceptions. The first real neck-gable is
Herengracht 168 (1638) designed by Philips Vingboons. Oudezijds
Voorburgwal 239 (1634) is an example of the transitional phase between
stepped and neck-gable. But the so-called
raised
neck-gable is a more common intermediate type. Raised neck-gables
were frequently built between approx. 1640 and 1670 and are contemporary
with the first proper neck-gables. Philips Vingboons was the founding
father of this type of gable top. He designed the raised neck-gables at
Keizersgracht 319 (1639) and
Rokin
145 (1642/43) as well as the later Classicist neck-gables at
Herengracht 364-370 (Cromhout Huizen, 1660/62) and Singel 460
(Nuerenberg, now Odeon Theatre, 1662).
 |
Korte Prinsengracht 9 (1653),
Vingboons imitation |
The classicist neck-gable with pilasters frequently occurs. Often
these top gables were richly decorated. Vingboons' followers deviated
from the master's examples and in the process created two further types
of neck-gables:
- small neck-gables with plainer ornamentation (miniature
Vingboons)
- richly decorated neck-gables with ornaments in the shape of
human figures and animals but otherwise closely resembling
Vingboons' style
Miniature Vingboons or small-size Vingboons imitation gables were
used for slightly simpler houses. A common feature is the brick facade
with pilasters and neck-gable and the plain ornamentation. Some
examples: Bloemgracht 108 (1644); Oudezijds Achterburgwal 76 (1645);
Looiersgracht 21 (1648); Brouwersgracht 218 (1650); Singel 412 (approx.
1650) and Korte Prinsengracht 9 (1653). Later 17th century examples:
Keizersgracht 62 (approx. 1660); Keizersgracht 504-506 (1671);
Herengracht 257 (1661); Herengracht 61-63 (1666); Prinsengracht 94
(approx. 1680); Leidsegracht 25 (1684); Nieuwezijds Voorburgwal 264
(1688).
 |
OZ Voorburgwal 19 (1656),
neck-gable with crolls in the shape of dolphins |
A very popular feature of the neck-gable is the croll in the shape of
a human figure
or an animal. The oldest surviving example is Oudezijds Voorburgwal
19 (1656). An exceptionally splendid representative of this type is
Oudezijds Voorburgwal 187 (1663). This type of decoration was widely
used until well into the 18th century, be it that the rest of the facade
was subject to the ever changing fashion.
18th Century
 |
Keizersgracht 62-64,
17th and 18th century neck-gables side by side |
As far as the decoration is concerned there is a marked difference
between 17th and 18th century neck-gables. Gable tops in the shape of
segmental frontons and festoons (garlands of flowers and fruit)
typically belong to 17th century. The neck-gable with pilasters is
another 17th century feature (approx. 1640 - approx. 1670). From
approximately 1670 onwards facades crowned by neck-gables were supposed
to be flat, a style that remained fashionable throughout the next
century. In stead architects started to focus on the top gable which was
provided with ever more elaborate sculptures. At the beginning of the
18th century
Louis XIV decoration started to make headway. The symmetry of the
Baroque ornaments proved to be a perfect match for the well-balanced
shape of the neck-gable. Acanthus became a common ornament for crolls,
though at first the shapes were coarse and heavy (e.g. 15 Noordermarkt
dating back to 1701). More flamboyant shapes soon developed. The fronton
which crowns the top gable was provided with elegant moulding (sometimes
in the shape of a trefoil) and a crest. Sometimes the rich decoration
overflowed the fronton and also covered the area surrounding the hoist
beam.
 |
 |
| Herengracht 427-429 |
Kloveniersburgwal 6-8 |
Crolls in the shape of pierced flowers are typical of the first
quarter of the 18th century, e.g. Keizersgracht 702-704 (1700);
Herengracht 524 (approx. 1700); Herengracht 427-429 (approx. 1715);
Noordermarkt 18 (1718) and Kloveniersburgwal 6-8 (1722). In the second
quarter of the century crolls were often subdivided into two parts by a
small ledge, e.g. Keizersgracht 606-608 (1732); Prinsengracht 27
(approx. 1740).
 |
 |
| OZ Voorburgwal 135 |
Keizersgracht 606-608 |
Some examples of Louis XIV neck-gables: Keizersgracht 702-704 (1700);
Singel 290 (approx. 1700); Singel 326 (approx. 1700); Kalverstraat 162
(approx. 1700), Noordermarkt 15 (1701); Keizersgracht 178 (1713);
Prinsengracht 469 (1713); Keizersgracht 615 (1715); Oudezijds
Voorburgwal 232 (Paris, 1715); Herengracht 427-429 (approx. 1715);
Keizersgracht 611-613 (1716); Prinsengracht 289 (approx. 1720);
Korsjespoortsteeg 15 (approx. 1725); Oudezijds Voorburgwal 73 (1727);
Singel
377-379 (1730); Keizersgracht 12 (approx. 1730); Keizersgracht
292-294 (approx. 1730); Keizersgracht 606-608 (1732); Keizersgracht 64
(1738); Singel 192 (1739); Keizersgracht 234 (approx. 1740);
Keizersgracht 16 (1743); Oudezijds Voorburgwal 135 (date unknown).
 |
Roomolenstraat 11 (approx.
1760),
Louis XV neck-gable |
As opposed to Louis XIV or Baroque ornamentation, the later
Louis XV,
or Rococo, style proved a much less suitable companion for the
neck-gable facade. The combination of asymmetrical Rococo decoration
with the strictly symmetrical design of the neck-gable facade is rather
an awkward one. As a result the bell-shaped gable took over from the
neck-gable. Neck-gables in Louis XV style are few and far between:
Herengracht 150 (approx. 1750); Binnen Brouwersstraat 11 (1753),
Roomolenstraat 11 (approx. 1760); Singel 414 (approx. 1770);
Keizersgracht 304 (approx. 1775). The three adjacent neck-gables at
Kalverstraat 94-98 (1771) are unique in that they have crolls
representative of a plainer type of Louis XV decoration which formed the
transition to the Louis XVI style.
Neck-gables in
Louis XVI
style are even rarer. The only example is Prinsenstraat 12 (approx.
1775).